





BOOK BLAST - RECENT RELEASE

Book Title: Unveiled – Paranormal Shifter Romance – Monarchs of Magic Book 1
Author: Susan Mac Nicol
Publisher: Boroughs Publishing Group
Cover Artist: Boroughs Publishing Group Creative Designer
Release Date: September 22, 2026
Tense/POV: third person, past tense
Genres: MM Paranormal Shifter Romance, Fantasy/Urban Fantasy
Tropes: Forced proximity
Themes: Found family, Fated mates
Heat Rating: 2 flames
Length: 88 000 words/334 pages
This is the first book in the series. It does not end on a cliffhanger. HFN


Scotland keeps its own secrets – and some walk on four paws
In the mist-shrouded Scottish Highlands, a centuries-old legend stirs to life when a mysterious town appears during a fierce storm.
Through the Mists of Time
Like a place in fables and fairytales, the town of Glengaill is filled with secrets and enchantments.
This remote area of the Highlands is home to two enigmatic wolf shifters. Connor, who rules his clan with primal strength and fierce loyalty, and Julien, whose compassion and humor shines through to keep the clans balanced.
Kings of their packs, Connor and Julien are bound by a destiny entwined with Glengaill's fate. This mysterious, magical village that appears during a fierce storm, is more than it seems, and danger lurks at its edges.
As the fog of time slowly lifts, the town's hidden beauty is revealed, and a powerful bond between the shifters and the town's lore is rekindled.
But Glengaill is bound and captive to a council who is determined to keep the townspeople and their magic for themselves.
Caught between their duty to their packs and the call of destiny, Connor and Julien must protect Glengaill from forces that threaten to exploit its magic while grappling with their unexpected and conflicted feelings.
As the battle begins, both kings fight for Glengaill, and for each other, so all will not be lost in the mists of time.
The next morning, on his way to meet Xiathen, Connor remained in no mood for any more riddles or secrets. He’d already planned a solo shift for tonight to get rid of the pent-up frustrations he was carrying. He’d barely made it down the main street—if you could call a single ribbon of cobbles stitched between slate-roofed cottages and low stone walls a street— before people began to notice them. Not in a gawping, touristy way. More like the way an animal notices a change in wind direction.
Adrian stood in front of the Inn, waving at the children playing in the street, doffing an imaginary hat at people standing outside the market and the village shops. Connor felt as if every step was a negotiation with the ground, to be taken at one step at a time. “Don’t encourage them,” Connor muttered as he drew near. “We’ve enough on our plate, and don’t need anyone else sharing bloody mysterious prophecies or delivering dire ditties of destiny.”
“Such alliteration,” Adrian commented with a grin. “Quite impressive.” His mouth twitched. “And I’m not encouraging anyone.”
“You are.”
“I’m looking at the buildings and being sociable.”
Connor shot him a look. “You’re dying to visit every damned shop in the village and make new friends.” Adrian didn’t deny it. As peoples’ faces appeared in windows and doorways, he greeted them. Connor had to admit it felt right. No phones. No whispering. Just a quiet, collective assessment. It should’ve felt hostile. Instead, it felt like being recognised.
They passed a shop with a sign painted in gold leaf: Morrigan & Thread. The window display was a riot of felt and velvet, feathers and braided cords, hats perched on stands like small, proud creatures. A top hat with a band of dark green. A flat cap stitched with silver thread. A wide-brimmed thing that looked like it had been made from midnight. Adrian slowed. Connor didn’t.
He took two more steps before realising Adrian wasn’t beside him and turned back, irritated. “What?”
Adrian nodded at the window. “It’s a hat shop.” He looked like a child at Christmas. Connor huffed. “It’s a bloody hat shop, so what?”
The door opened before either of them touched it. A man stood in the doorway, tall and narrow as a lamppost, his hair a storm of grey curls held back with—Connor blinked—what looked like a hatpin shaped like a tiny sword. He wore a waistcoat the colour of old wine and a measuring tape draped around his neck like a priest’s stole. His eyes were sharp and amused.
“Connor,” he said, as if they’d had tea last week. Then his gaze slid to Adrian. “And Adrian. Come in. You’re letting the draught in.” Connor froze. “How do you—” “Names?” The man waved a hand as if batting away a fly. “Everyone knows names. It’s the shape of you that’s interesting.”
Susan Mac Nicol is a British novelist dedicated to the power of LGBTQ+ romance, fantasy, and paranormal fiction. With over forty published titles spanning contemporary emotion and dark fantasy, her stories centre on complex characters who discover strength in connection. She's also an award winning scriptwriter with ten awards for the script Sight Unseen, written with actor Nicholas Downs.
From the gritty streets of the Men of London series to the sensual underground of Fetish Alley and the enchanted realms of Monarchs of Magic, Susan weaves high-stakes drama with emotional intimacy.
When she’s not lost in fictional worlds, Susan actively connects with fellow romance enthusiasts, mentoring upcoming writers and celebrating diverse queer voices across global literature.
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Title: Swimmer’s Ear
Series: Good Sports, Book Five
Author: Alex Winters
Publisher: NineStar Press
Release Date: 10/27/2026
Heat Level: 3 - Some Sex
Pairing: Female/Female
Length: 29800
Genre: Contemporary, college students, contemporary, karaoke, lesbian, new adult, romance, singer, sports, swimmer

NEW RELEASE

Book Title: To Failure (MM PHYSIQUE, Book 1)
Author and Publisher: CJ Ashworth
Cover Artist: Wolfsparrow Covers
Release Date: October 27, 2026
Tense/POV: First person/Alternating POV — Eli's chapters in past tense, Soren's in present tense.
Genres: Contemporary MM Sports Romance (competitive bodybuilding)
Tropes: Rivals to lovers, opposites attract, forced proximity, hurt/comfort, touch-starved, age-gap-adjacent (both men in their forties)
Themes: What a body is for; addiction and withdrawal; grief for an older brother; a father who only knows how to ask what his son weighs; asking for help
Heat Rating: 4 flames
Length: 78 000 words / approx. 300 pages
It is a standalone story with a hard-won HEA. It does not end on a cliffhanger.
Buy Links - Available in Kindle Unlimited

He calls it strength. Knowing when to stop.
In a sport that runs on the word more — more size, more chemistry, more — Eli has spent fifteen years on the opposite one: enough.
He competes natural, carving his body down to exactly what it should be and no further — a shape that has to win on proportion, because it gave up winning on size. He trains before dawn, alone — the hand at everyone else's back on the last brutal rep, and no one at his. He calls that strength. Knowing when to stop.
Then Soren walks into his gym. Open-division, sponsored, engineered past anything a natural body can do — and still convinced, in the place no trophy touches, that he isn't enough. He's everything Eli swore off. He's also the first man who's ever wanted to stand at his back.
A rivalry of opposites becomes something Eli has no careful word for, just as the chemistry in Soren's blood starts taking him apart.
A NOTE FROM THE AUTHOR
A note from the author: I build these books and write them with an AI as my drafting partner — the English prose is AI-drafted from my direction and worked over by me, line by line. My KDP listing declares it in full. The cover is not AI.
CONTENT NOTES
Running through the book: anabolic steroid use, dependence and withdrawal — no substance is named and no injection appears on the page. Heart damage caused by it, diagnosed late and permanent. Extreme contest preparation, and a body watched in a mirror until the watching has stopped being a choice.
In particular: a man whose brother died of this sport at thirty-one, and a father who has only ever known how to ask his son what he weighs. One scene in which one of these men goes looking for the cruelest thing he can say, says it, and puts a hand on the other's chest and shoves. A video of the two of them, filmed without their knowledge, makes the rounds of the sport. Two explicit sex scenes. In a late chapter, a character describes how close he once came to going off a bridge and feels the pull of it return; he does not act on it, and he asks for help.
Not in this book: blood, beatings, sexual assault, cheating, homophobic abuse, or a coming-out story. Nobody is outed to their family. Nobody dies inside these pages.
Before five most mornings the gym is mine, which only means it’s a thing nobody else is awake to want. I’d come up off the bench an hour earlier out of the dream I always have — my brother on a stage, the lights, my own hand not finishing the reach — and done what I do after that dream, which is go to the rack in the dark and take the one or two reps I make every client of mine leave behind. I unrack the bar onto my back, step out, and go down with it, alone. There’s no one to catch it out of the hole. There never is. At the bottom — where the legs hand off to nothing, where a man wants the spot most — I drive it up myself, rack it, and the iron rings too loud in the empty room and sinks. That’s the morning. Every morning. I’d have told you I wanted nothing else from one.
By the time the gray started thinking about coming up I’d wiped down, pulled a shirt on, and gone up front to open — counted the float, keyed the register, reached to turn the sign on the door.
That’s when it went, and let a man in out of the dark. Cold air came crawling in low across the floor. I looked up, my hand still on the sign.
A man in the doorway, streetlight at his back, and for a second only a shape — and the shape was big. You read it before he’s all the way in: the spread of the shoulders, the column of the neck, the swell where the arms tie in. Enhanced, said the clerk in the back of my skull, before I’d asked it to. Natural doesn’t lay thickness on like that, and I’d know. I’m one of the ones it never came to.
But it wasn’t the size that stopped me.
He came off the door and the light let go of him, and in those few steps across my floor the ceiling went, all at once, low. Same rubber, same chalk, and still there stood some other height over his head the building hadn’t accounted for — a body that belonged on the far side of the wall of light, come down to this side of it by some clerical error. The illusion had me in under a second. Beyond the ceiling.
The body moved before I did. Something in my chest jumped without asking my leave, skipped the whole practiced read I do without thinking, and only wanted to look. To look longer. I caught up late to how rude the wanting was and pulled back exactly as far as I’d been drawn.
Then the glare came off his face. Not handsome — that wasn’t it, and it wasn’t trying to be. The eyes. Eyes used to being priced, and behind them something held hard and shut, that wasn’t going across any counter no matter who was paying.
And I’d looked up into those eyes before.
Never met him. Didn’t know the face, the name, would have sworn on anything I’d never stood in a room with him in my life. And still the dream came up whole behind my open eyes — my brother under the finals light, finding the back row without trying, his eyes coming down to land on a boy who couldn’t lift his hand to answer. I knew the exact distance of those eyes. I’d spent the whole night reaching for it and waking before I closed it. And here a man stood in my doorway at the wrong end of that same distance, and started across it, toward the counter, toward me.
“You’re not open,” he said. Not a question; he’d seen the sign.
“Few more minutes.”
He didn’t leave, and he didn’t come further in. He stood there and let his eyes go around the room instead — the rubber curling at the edges, the mirror on half the walls with the haze that won’t come off, the plates worn smooth past reading. Not pricing it. Making sure of it. A man checking whether a place was what he’d hoped, and the thing he seemed to be hoping was not that it’d be any good.
“I’m not a member,” he said. “What’s a day pass.”
I told him the visitor rate, which is low, the way everything here is low, and slid the waiver across the counter. “Sign at the bottom.”
CJ Ashworth writes MM romance set inside physique competition — the gyms at four in the morning, the food weighed to the gram, the years of it, and what men manage to do for each other in the middle of all that.
CJ started lifting at forty-five and first stood on a competition stage at fifty — then twice a year for the three years after that. The competing stopped; the training didn't. Fifty-five now, and still five or six mornings a week, ninety minutes at a time.
The gyms in these books aren't real gyms. The four a.m. is real, and so is the arithmetic.
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